![]() ![]() In No Stone Unturned, Alex Gibney may want to replicate what he did so effectively in Mea Maxima Culpa, which spent an hour on a single incident in order to re-personalize a vast historical scandal. It came toward the end of the Irish Troubles but was in no way a culminating event its aftermath involved layers of coverup, but that was the norm for such cases. A peculiar subject for a film by the maker of big-picture, high-profile documentaries about Enron, WikiLeaks and Scientology, the 1994 slaying of six Catholics in a small town in North Ireland is a crime whose evils seem indistinguishable (for a viewer on this side of the world, at least) from countless others of its time. ![]()
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